Tuscany Photography Locations Beyond Val d'Orcia
PhotographyHidden Tuscany · by Stefano Gabryel

Where to Photograph Northern Tuscany: Locations Beyond Val d'Orcia and Chianti

Stefano Gabryel
Your guide 5.0 on Google

I'm Stefano, and I guide people through the Tuscany most tourists never see. Want to hike in Tuscany with me?

Last updated 8 November 2026

Val d’Orcia and Chianti are the two most photographed corners of Tuscany. Every rolling-hill-and-cypress frame you have seen was shot there, thousands of times over.

If you want photographs of Tuscany that do not look like everyone else’s, point the camera at the north-west, where marble mountains, aqueduct arches, and misty wetlands go almost unshot.

This is no knock on the Crete Senesi or the Val d’Orcia. They are beautiful, and if that is your trip, chase that light. But northern Tuscany offers a different set of subjects, and I photograph them for a living. Here is where I take the camera.

Want a local photographer and guide to take you to these exact locations at the right light?

The Corchia marble galleries (Apuan Alps)

The Apuane are a mountain range quarried into white geometry.

Cut marble faces catch light like nothing else in Tuscany: high-key, almost abstract, blinding at midday and beautiful in the low sun of morning and late afternoon. A lone worker or machine gives you scale. I go deeper into photographing the marble quarries separately, but this is the signature subject of the whole area.

  • Best light: early morning or the hour before sunset; avoid flat midday glare on the white.
  • Access: the working quarries need care and permission. This is not a wander-in-alone location.
Private guided hike

Marmifera del Corchia

The road climbs past active quarries with Viareggio and Forte dei Marmi below you. On clear days you can pick out Corsica.

  • About 3.5 hours
  • €210 per group
  • Saturdays and Sundays only

Medium-Easy · 7 km (4.3 mi) · 420 m (1,378 ft) ascent

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The Nottolini aqueduct arches (Monte Pisano, near Lucca)

A three-kilometre run of nineteenth-century stone arches marching across the plain toward Lucca.

The repetition is the picture: arch after arch, receding into haze, best at dawn when mist sits on the fields. I wrote a full Nottolini aqueduct photography guide with the exact spots and timing.

Private guided hike

Nottolini Aqueduct

The aqueduct doubles as a sundial. Once a day the light runs straight down its corridor of arches, at a time that shifts through the year.

  • About 3 hours
  • €165 per group
  • Reachable by train
  • Longer route to a view over Lucca, on request

Easy · 9.1 km (5.7 mi) · 50 m (164 ft) ascent

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Monte Pisano ridgelines

The ridge between Lucca and Pisa is a layered-horizon machine.

At dawn and dusk the successive ridgelines stack into blue-grey bands, with the plain and sometimes the sea catching light beyond. It is the closest thing the north-west has to Val d’Orcia’s rolling layers, without the crowd on the roadside.

Massaciuccoli wetland light

Flat water, big sky, and birds.

The lake and reedbeds south of Viareggio give you mirror reflections at first light and huge colour at sunset, plus herons and egrets for foreground life. It is a quiet, patient kind of photography. The nearby LIPU reserve at Massaciuccoli has hides that put you close to the water.

The Apennine forests in fog

Inland, the mountain forests are autumn’s best subject.

From October the beech woods turn gold and the valleys fill with fog, giving backlit, layered forest frames the open hills cannot. I cover the timing in autumn in Tuscany’s Acquerino forests.

Gear and light, briefly

You do not need much, but you need the right light.

A tripod for the blue-hour and long-exposure work, a polariser for the marble and water, and a longer lens for the ridge layers and the birds. The lightweight camera setup I carry on hikes covers the rest. As always, the location matters less than being there in the right hour.

Shoot it with someone who knows the light

The hard part of these locations is not the camera. It is timing and access.

Knowing which hour the marble glows, where the aqueduct mist sits, and how to reach a ridge for first light takes local knowledge. I guide private photo tours to the quarries, the arches and up into the Apennine woods, and I offer an outdoor photoshoot if you would rather be in the frame than behind it.

Walk it with me

Photograph the Real Northern Tuscany

Want to shoot the marble and the arches in the right light, with someone who knows when and where? Tell me your dates and what you’d like to photograph, and I’ll plan the day around the light.

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